Brian Eno Ambient 4 On Land Rar
Arist: Brian EnoAlbum: Ambient 4: On LandYear: 1982Genre: Ambient, Electronic, Experimental, Prog-Rock/Art RockRip Format: EAC-APE, CUE & LOG tagged within (see description below)Link:1. Lizard Point2. The Lost Day3. Lantern Marsh6. Unfamiliar Wind (Leeks Hills)7.
Dunwich Beach Autumn 1960Amazon.co.uk Review:Released in 1982, On Land is Eno's most mature, perfect ambient work. Combining low, rumbling synths with eerie banging and clanking and the occasional wild-animal chirp or grumble, this recording places the listener alone, in the midst of a massive piece of sonic landscaping. And Eno has left no detail to chance. In fact, the work is so complete that when Eno suggests a windswept plain, the listener gets a chill. When trumpeter Jon Hassell bays with a softly disturbing imitation of a wounded beast, the first instinct is to scan the horizon for its glinting eyes. So subtle, intuitive, and well paced is this recording that as it slips quietly from the speakers and into every corner of the listening room, it transforms the space into a gently pulsing sound environment that seems strangely out of time and away from everything. It's a place you'll be drawn to time and time again.
An ageless masterwork.AMG Review:On Land represented a significant move away from the strategies Brian Eno had employed in earlier ambient releases such as 'Discreet Music' and 'Music for Airports'. Instead of using a specific process to generate music with minimal interference from the composer, he here opts for a more gestural and intuitive approach, creating dreamy pictures of some specific geographical points or evocative memories of them. It's quite easy to imagine these works as soundtracks to mysterious footage of imprecisely glimpsed landscapes. On Land is an album that would become highly influential with the rising tide of new age composers, though few if any would capture the chilly beauty or latent romanticism that is part and parcel of Eno. On Land remains a landmark event in the genre, as well as one of its high-water marks, and sounds entirely up to date 20 years after its initial release. A superb effort.Well, what can i say? The Creator of the Ambient genre himself.
A must have!Format explanationThis release is consist of one APE file, grabbed with EAC as CD image. CUE and LOG are tagged within the APE. CUE is in the tag, named CUESHEET and LOG is in LOGFILE tag. When you opening the APE in, playlist already will be separated to tracks (as if you open common APE though CUE).You can easily access to the tags in foobar. Just open the APE and right-mouse-click on any track in the playlist - Properties.For those, who don't use foobar and don't want to get life more complicated LOG and CUE will follow in next post.CUE. Code: EAC extraction logfile from 7.
Contents.Overview On Land is a mixture of synthesizer-based notes, nature/animal recordings, and a complex array of other sounds, most of which were unused, collected recordings from previous albums and the sessions that created them. As Eno explained, '. The making of records such as On Land involved feeding unheard tape into the mix, constant feeding and remixing, subtracting and 'composting'.Eno actually found, in the three-year process of making the album, that the synthesizer came to be of 'limited usefulness' and that his 'instrumentation shifted gradually through electro-mechanical and acoustic instruments towards non-instruments like pieces of chain and sticks and stones. I included not only recordings of rooks, frogs and insects, but also the complete body of my own earlier work'.Despite the music's dark leanings, it is in a sense still highly 'ambient' in that the tracks tend to blend into each other and thus fulfill all of Eno's original expectations of what the term means. Nevertheless, there is still room for the occasional surprise, such as 's recognisable effect-laden trumpet in 'Shadow'.
Eno, cognizant of the deeper aural qualities, said, 'On the whole, On Land is quite a disturbed landscape: some of the undertones deliberately threaten the overtones, so you get the pastoral prettiness on top, but underneath there's a dissonance that's like an impending earthquake'.Eno also had something to say about how music—this album in particular—should be listened to. In the liner notes, he suggested (even going so far as to draw a diagram) 'a three-way speaker system that is both simple to install and inexpensive, and which seems to work very well on any music with a broad stereo image'.Track names The album makes reference to definite geographical places, such as, the exposed, southernmost tip of mainland Britain, close to in South-West England.' Tal Coat' refers to Pierre Louis Jacob (1905–1985), aka, a proponent of the French form of,. This interest in painting is reflected in Eno's statement that the album was '. An attempt to transpose into music something that you can do in painting: creating a environment. At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art because it was abstract, not figurative. In contrast, my intention in On Land was to make music that was like figurative painting, but without referring to the history of music – more to a 'history of listening'Lantern Marsh' was a place in where he grew up.
He remarks, 'My experience of it derives not from having visited it (although I almost certainly did) but from having subsequently seen it on a map and imagining where and what it might be'.' Leeks Hills', Eno explains, 'is a little wood (much smaller now than when I was young, and this not merely the effect of age and memory) which stands between. There isn't a whole lot left of it now, but it used to be quite extensive. To find it you travel down the main road connecting Woodbridge and it lies to your left as you go down the hill'.' Dunwich Beach, Autumn, 1960' is named after the once prosperous seaport of, England, which eroded into the sea over a period of three hundred years.Track listing All music is composed by, unless otherwise noted. Side ANo.TitleWriter(s)Length1.' Lizard Point'Eno, Axel Gros,4:342.'
The Lost Day'9:133.' Tal Coat'5:304.' Shadow'3:00Side BNo.TitleLength1.' Lantern Marsh'5:332.'
Brian Eno Apollo
Unfamiliar Wind (Leeks Hills)'5:233.' A Clearing'4:094.' . Olewnick, Brian.
Retrieved 20 August 2016. Chamy, Michael (17 December 2004). Retrieved 12 November 2016. Singer, Liam (7 October 2004). Retrieved 20 August 2016. (2004).
In Brackett, Nathan; Hoard, Christian (eds.). Retrieved 30 April 2011., p. 129. Pinnock, Tom (January 2019). 'Brian Eno: Discreet Music / Ambient 1: Music for Airports / Music for Films / Ambient 4: On Land'. (260): 38. (31 August 1982). Retrieved 3 February 2018.
Retrieved 20 August 2016. Retrieved 20 August 2016. Retrieved 20 August 2016. Retrieved 20 August 2016. Retrieved 20 August 2016. Archived from on 21 November 2006. Archived from on 21 November 2006.Works cited.
Weisbard, Eric; Marks, Craig, eds. 'Brian Eno'.External links.